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Large Jar
Punch'ong. The Sky
Lee decorates his pots using the traditional Korean method of Punch'ŏng. White slip is applied to a dark stoneware body. Spread with his hands, and incised with tools. Sometimes different coloured slips are flicked over the white surface, in a Jackson Pollack like way. A stiff bristled brush may be used to scratch into the semi dry surface of the pot. Forest, waterfall, the sky - nature is very much in evidence in Lee's beautiful pots.
Lee's work is in public collections worldwide, including the V&A and the British Museum in the UK.
Accompanied by a signed, made to measure box
Lee decorates his pots using the traditional Korean method of Punch'ŏng. White slip is applied to a dark stoneware body. Spread with his hands, and incised with tools. Sometimes different coloured slips are flicked over the white surface, in a Jackson Pollack like way. A stiff bristled brush may be used to scratch into the semi dry surface of the pot. Forest, waterfall, the sky - nature is very much in evidence in Lee's beautiful pots.
Lee's work is in public collections worldwide, including the V&A and the British Museum in the UK.
Accompanied by a signed, made to measure box
$1,995.35
Original: $5,701.00
-65%Large Jar—
$5,701.00
$1,995.35Product Information
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Description
Punch'ong. The Sky
Lee decorates his pots using the traditional Korean method of Punch'ŏng. White slip is applied to a dark stoneware body. Spread with his hands, and incised with tools. Sometimes different coloured slips are flicked over the white surface, in a Jackson Pollack like way. A stiff bristled brush may be used to scratch into the semi dry surface of the pot. Forest, waterfall, the sky - nature is very much in evidence in Lee's beautiful pots.
Lee's work is in public collections worldwide, including the V&A and the British Museum in the UK.
Accompanied by a signed, made to measure box
Lee decorates his pots using the traditional Korean method of Punch'ŏng. White slip is applied to a dark stoneware body. Spread with his hands, and incised with tools. Sometimes different coloured slips are flicked over the white surface, in a Jackson Pollack like way. A stiff bristled brush may be used to scratch into the semi dry surface of the pot. Forest, waterfall, the sky - nature is very much in evidence in Lee's beautiful pots.
Lee's work is in public collections worldwide, including the V&A and the British Museum in the UK.
Accompanied by a signed, made to measure box
