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Dockside
Signed oil on canvas.
âGeorge Large is the most astute watcher of our shared experience, of the exotica of the ordinary⌠He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.â David Whiting, 2015.
âHis complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.â Anthony J. Lester, 1998.
âGeorge Large is the most astute watcher of our shared experience, of the exotica of the ordinary⌠He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.â David Whiting, 2015.
âHis complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.â Anthony J. Lester, 1998.
$1,552.25
Original: $4,435.00
-65%Docksideâ
$4,435.00
$1,552.25Product Information
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Description
Signed oil on canvas.
âGeorge Large is the most astute watcher of our shared experience, of the exotica of the ordinary⌠He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.â David Whiting, 2015.
âHis complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.â Anthony J. Lester, 1998.
âGeorge Large is the most astute watcher of our shared experience, of the exotica of the ordinary⌠He weaves his insights into rich figurative tapestries, a realm with which we may be superficially familiar, but which is re-made in his imagination, a place apart.â David Whiting, 2015.
âHis complex compositions, bursting with vitality and primary idiosyncratic colours, which ingeniously knit together the figurative and the topographical, always delight my critical eye.â Anthony J. Lester, 1998.
